Global Culture

Short Blog #6: FB Networks, Literature, and Art

In the following assessment, each of the presented blogs have Social Media outlets of Facebook, Twitter, or linked connections to blogs within their area of presented information. Whether it be photography, interior design, fashion design, music, online literary publications, or restaurant reviews, each site has accurately accessed outlets such as Twitter and Facebook to hone in on a particular demographic for proper advertising and expansion. Such networking allows each blog to publicize itself in a manner that reaches out to a desired demographic. Each site includes RSS feeds, a “follow on Twitter” link, as well a method of RSS subscription; each of these I suppose is now included as a widget on even the simplest blog templates with the currently exponentially rising technology of the “web”.

1. Trend Robot: Trend Robot is a music blog out of Denver that is run by a very ambitious individual who is highly involved in the Denver music scene. The site claims to use “First Amendment rights as a basis for reviewing and streaming music” (if you don’t remember this amendment you’d better go back to social studies…). The site’s mission is to promote artists, both local and further away from the Metro Area, who are up and coming and don’t have the budget to forgo the investment/expenses of marketing themselves, or are new enough that they are just coming onto the music scene. As the blog states, “All posts include links to respective iTunes store pages, Myspace pages, official artist pages and other sources of support.  Please support the artists that we review and critique…” one can tell that the forefront of the site’s mission is to get people listening to new, great music that this site feels is reputable enough to promote in such a forthright manner. Noting their mission, however, the staff at TrendRobot stands at a completely respectable and democratic stance in stating that “Any requests to remove music from the site will be respected immediately and without hesitation.” Not only does this statement place the staff in a position of absolute moral respect, however, proves that they DO listen to their readers, as many of us assume that the blogger will not, as it is a means for them to express their personal opinion and solely that. The blog is updated, at the very least, bi-weekly, and the posts are consistently professional, yet varying in content and not repetitive with an “insert artist here” format.  Each post offers a sample track of the band that is spotlighted, and TR’s author’s taste truly comes through in the style and genre of each song. TrendRobot’s Twitter is updated regularly, offering information on new album releases, upcoming show dates and venues, and selected playlist tracks. One of TR’s most recent tweets is a statement about starting a newsletter with promo downloads, MP3′s, and upcoming shows.  Further, TrendRobot’s Feed offers direct downloads of music files, so, if you subscribe, you can instantly access the link to download music if you don’t have the time to read. This blog is chalk-full of personality and a classy, yet simple, visual appeal; along with the site, TR’s Twitter is consistent with the blog’s tone, as one can see that quite a bit of thought has been put into both constructing the site, as well as properly marketing it.

2. Witness-This: I fell upon Witness-This when a familiar and local face was featured on their site and a friend posted the article on her Facebook. I clicked on the link and immediately fell in love with the site logo/title, as the graphics effect a powerful sense of ambition by the staff that read somewhere along the lines of change, progress, and current artistic endeavors in our culture; along with the title, the icon emphasizes something of the cosmos. Something empyreal. The site has a simple approach: along the left, a column with eight pages stands beneath the site logo. The eight pages include: Home, Art, Motion, Still, Style, Sound, The Streets, Genius, and Contact. Along the left, the feed of most recent posts scrolls to reveal Witness-This’s most recent literature. Like Trend Robot, Witness-This includes music coverage; however, the music coverage here stands on a much larger level as it covers albums outside of Denver and upcoming shows such as SXSW. Under each categorized page, as you can infer, the topics vary from fashion to photography, and the “Genius” category spotlights undeniably talented artists. Again, like TrendRobot, lesser-known but up and coming artists are spotlighted for their creativity and skill. Though Witness-This does not have a Twitter, they do have a Facebook page which one can “like” as well as share with their Facebook friends. The diversity of this page definitely makes it a note-worthy page, as the included art doesn’t follow your typical hipster’s graphic design.

3. The Fox Is Black: The Fox Is Black is the new project of Kitsune Noir’s Bobby Solomon. On  Twitter you can follow Solomon and his latest endeavors with The Fox Is Black, including new graphics features and websites– cool things for techy people. Solomon states in his bio that he started TFIB in 2007 as a means of sharing products and concepts that he came across. I thought this was such a great site when I discovered it as Kitsune Noir, for it shares art that people have done graphically– the sharing aspect of this field is so important, as it leads to inspired creativity amongst people everywhere. TFIB has five contributors, all living in different areas of the globe from Ireland to Australia to Mississippi, which really promotes the concept that Social Media is a unifying force of communication and sharing. The site includes a “Featured Projects” panel that offers the latest projects of Bobby and other artists. These projects include modern renditions of classic novel covers like Lord of the Flies or The Great Gatsby, a desktop wallpaper project that is unbelievably cool (you can download the wallpapers for free to support the artist of the one you like!), as well as mixtapes, film reviews, and most recently, a “countdown to Radiohead” wallpaper link in honor of their most recent album “The King of Limbs”. TFIB is associated closely with Notcot as both offer designs of artists near and far, accurately promoting their love for the fine arts; both can be found on Twitter and/or Facebook, offering many forms of connection.

4. McSweeney’s Quarterly: McSweeney’s ‘Concerns’ page opens with the following statement: “McSweeney’s began in 1998 as a literary journal that published only works rejected by other magazines.” Now publishing famous authors including Joyce Carol Oates, the site is set up similar to John Michael Rivera’s Shadowbox Magazine of which we saw in class, offering an archive of previous issues. Founded by Dave Eggers, the McSweeney’s Quarterly is an American independent publishing house out of San Francisco, CA and is set up in a fashion that I would argue is similar to that of The New Yorker with inclusions of unique issue cover artwork and featured writers/artists. Though not as incredible online and encouraged to see in real life for each article’s unique formatting, McSweeney’s is a grandiose publication, for it challenges the staff, writers, and readers boundaries of what they consider literature to be. Through this, the blog resituates the concept of the readerly-writerly relationship.  “Each issue of the quarterly is completely redesigned. There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head,” furthers the site’s Concerns page, and really, the level of artistic ability that they are reaching is absolutely stunning. Above, you can see the most recent issue’s formatting. You can follow McSweeney’s Quarterly on  Twitter and get updates on national education, artwork, current events, artwork, sales, and economics. The site also has a Facebook page that is “likable” and currently has 15,729 fans; along with all of these literary outlets that one can follow, McSweeney’s posts links about other literary outlets throughout the community (though posting and favored by many, the site’s page is not posting daily which I’m sure each fan would love if they did).

5. The Scout: I would argue that The Scout competes on a Junior Varsity level in comparison with the scholarship level ability of such blogs as the New York Times or the Huffington Post. What makes me laugh, though, is the fact that this site, along with Public School, have visual capabilities far beyond what the Huffington Post or Times sections are offering. What the latter two have to offer in terms of content, the former two sites, which most of you probably have never heard of, are wielding weapons of the highest skill in tricks of Javascript, CS5, and coding secrets. The Scout is a site full of a myriad departments of design categories such as art, media, technology, and crafts, and items of leisure in everyday life. The site’s content reminds me of a modernized Arts and Crafts movement that parallels back to the tactile designs from the late nineteenth century movement of art in the United States and parts of Western Europe. The site’s presence ties its digital demographic in a tight knit–creating a community of literary artists and modern expressionists of the digital medium. I started visiting this site out of curiosity of architectural design, and the site offers both current and historical trends of design functions in all sorts of design fields. What sets The Scout apart from your typical hipster art blog is the additional pages of Retail, Dining/Bars, Tours, Features, Videos, and Events in New York. The site offers links to RSS feed and subscriptions, as well as links to follow them on Twitter and Facebook.

In looking at each of these sites, its interesting to try to hegemonically rank them in terms of the best or most efficient and effective. I would argue that of all of the above, McSweeney’s hits the closest home, for it appeals to me most from a literary standpoint. Yet, there are then the art blogs; if we read the art as literature in itself we can see that there is a great reservoir of depth to each of these, and within, say, the photos of the moonboards on the homepage of Witness-This, there exists an anthropological goldmine of revelation that humbles us as individuals; we reach a level where we all can relate to each photo–we all lust for summer rainstorms and the blistering rays of the sun right here and now, as we’re living on the dawn of springtime; we all look at the photo of the Japanese leisure-lovers sitting beneath a dock in sun-chairs that are three inches submerged in water and think of the Tsunami that tore all of that apart.

Something humane exists in every corner of the internet, as though we may be speaking different dialects of art or photo-speak, we all still endure the human experience alike, and are searching for the next thing to tickle our fancy in the infinity of outlets out there that may, or may not, be similar to our patterns of thought. As Jeremy Sarachan states in his chapter “Profile Picture, Right Here, Right Now” of D. E. Wittkower’s book Facebook and Philosophy, the punctum of a photograph, or, in this case, I stand to argue a blog’s visual appeal. Punctum, Wittkower states, is our “immediate focus: what strikes [us] about the photo at first glance, what emotional impact it makes, or what “sticks” with you” (Wittkower 52). As we experience a rush of emotions upon first viewing a site, we each experience individualized emotions, however, as stated above, these emotions are all connecting of the human experience, as our ethos, pathos, and logos come into play.

Also Noteworthy:

Smoke, Don’t Smoke: Another music blog similar to TrendRobot with the intention of sharing and exposing people to new, good, and amazing music.

Fecal Face: Fecal Face is awesome. Follow them on Twitter; you won’t be disappointed. The most absolute compilation of current art from grotesque to neo-post-modernist works, Fecal Face does it right from left to right, and top to bottom.

Public School: This site is not what you think. Believe it or not, it’s a blog based on fine arts, not the public school system in Austin, TX. The blog has a Twitter account that you can follow, as well as a Facebook page to share with friends.

Tibi: Getting Somewhere

Does Amy Smilovic know best? With ultra-femme colors of pastel pinks and sparkly accents, Tibi’s tomboy-ish style has a crisp delivery through simplistic forms; from trousers to evening-wear, the line can be dressed up or dressed down to wear from the market to nightlife. Strong-detailed collars allow for a modern rendition of the Baroque age of the elaborate collar– here, Smilovic has simplified and sleeked down the neckline, yet keeping it at a height that demands authority from a femme-fatale look. Below, Tibi’s Fall line follows:

Short Blog #5: Feed Them to the Wolves

Short Blog #5: Woolf, Wolf, and more Feminism

1. Blogging Woolf:  Virginia Woolf may have stolen my heart in a lesbian-continuum sort of way. She is the modern Sappho, and her diaphanous language is unrelentingly inspiring. A fellow WordPress site, Blogging Woolf is a wonderful blog that unites Woolf fanatics from the UK to the USA. The headline reads, “Focusing on Virginia Woolf and her circle, past and present” and is quoted as “mixing laughter and tears”. I fully understand that this suggestion is relatively nerdy, yet, with all of you who listed Mrs. Dalloway as a “must read”, you know why this site exists. There is so much that could go into a cult solely centered upon Virginia Woolf. The site features current Woolf projects, references throughout the online community, as well as events in the real-life world concerning modernist literature.

2. The Huffington Post and Naomi Wolf:  Naomi Wolf is both a feminist and political theorist who recently published the a book entitled The End of America. She is allegedly categorized as a third-wave feminist, as she stands as a progressive liberal concerned with the current status of American nationalism. I recently read this book and found it hauntingly supported by facts of reality…it really makes you think. Within her blog, Wolf discusses current events (not only politics but facts that any literary individual would find interesting) such as Sundance, the status of editorial journalism, banking, and issues concerning women in media. Her writing is concise yet brilliantly contrived, informing her readers on global issues without sounding pretentious. Below is a video of her discussing the theory within The End of America.

3: Feministing: I came across this blog when doing research for a paper in a Feminist course and thought, though at times comical, that each artical held excellent points referencing the woman’s place in society today that relate to any-aged woman from teens to post-menopause. Not concerned with bra-burning as you male readers may conclusively jump, writers of Feministing get down to the realistic details of everyday life and how sexism is still present in 2011. As quoted by takepart.com, “Feministing provides a platform for us to comment, analyze and influence.”

Blogging Hegemonies: Panopticism, Lacan, and Authoritative Commands

“Communicative Capitalism: A Change to the Symbolic”

“Communicative capitalism is that economic-ideological form wherein reflexivity captures creativity and resistance so as to enrich the few as it placates and diverts the many” (Dean 4).

What would you say if I proposed that the Internet was of  Bentham’s panoptic design? “Contemporary communications media capture their users in intensive and extensive networks of enjoyment, production, and surveillance… ‘communicative capitalism’” (Dean 4).

Or, what would you say, if I said it was not? “Words are no longer “subjectivized” insofar as they fail to induce the subject to stand by them. At any moment, visitors to cyberspace can simply “unhook” themselves. Since exit is an option with nearly no costs, subjects lose the incentive for their word to be their bond” (Dean 7). Within the internet, can we not argue that the carnivalesque is underway, as readers have no bind to what they read and are free to peruse and choose whichever path they wish when exploring the Internet? The tangibility of a physically ‘papered’ text commands authority, where as those words “published” online, or self-published within blogs do not, as anyone of any level of education on a topic can write whatever they please. Physically tangible texts, within paper, demand more screening and editing before publication. Literature appears to be becoming more editorial and informal as the public turns to technological media such as the Internet, Twitter, and GoogleNews for education on current events.  Are we self-governing through self-education on topics of our own choice?

Is there a guard tower censoring us on the web? Are you going to shut down my site if I say something controversial Dr. T.J. Eckleburg? Are you even paying attention to what I’m writing? Because site stats say you’re not. Are you wearing Harry Potter’s “invisible cloak”? Perhaps you’re in my Macbook; or tipped WordPress.com? With making sure that I couldn’t download plug-ins within the confines of the WordPress format, did you also pay Toni Schneider, WordPress CEO, at the most recent freemasons meeting beneath DIA to monitor what we write? Are we truly free to express ourselves in any way/shape/form? Are we being watched and our actions and interactions are being monitored, yet not blocked? Are the confines of censorship of “P.C.” or bordering on “controversial” material in reality different than those confines of the internet (are there confines?)? If videos like Two Girls One Cup can end up on the Internet, I honestly question the proposed Panopticism of this medium of communication. Never have I seen the rumored grotesque video, but from horrifying facial expressions during descriptions, I can only imagine that it is something needing attention of Dr. Eckleburg’s watchful eyes. “Blogs provide a clear example,” states Dean, “sometimes it’s difficult to tell when a blog or a post is ironic and when it’s sincere, when it’s funny or when it’s serious…The uncertainty, the potential for unexpected meanings, provides its own affective intensity. Images and affects may flow into the gaps left by the declining symbolic” (Dean 5). As she furthers on the next page of her text, Jodi Dean states that there exists an impossibility in totalizing a blog’s efficiency– it cannot anchor or pin down a meaning.

Is the Internet not a paradigmatic shift in the way that users/humans think in terms of subtle expressionism to “fight” against censorship? Has the Internet made our society, as a whole more creatively expressive? Is it doing this at all for you? Are you finding resources for what you find most interesting? Forcing us to think outside of traditional methods of thought? Are we standing in life as a cyclical force, and perhaps returning to a modernist movement of post-post-modernism? …A neo-modernism that parallels the 1920’s? The stock market crashes of 1929 and 2007 certainly point to something… perhaps this is a digital return (Nietzsche, anyone?) that is taking us back in a replay of our past life, only in LCD, pixelation, and Helvetica font.

As directed within this assignment, we are to analyze the sociology surrounding the Internet, Lacanian structures of objectivity, authenticity of sites visited, the confines of the Internet, and the drives behind particular sites that break the boundaries of basic html codex. Below I’ve listed three sites that I thought were rank-able in comparison to one another, as each site expresses a reservoir of depth in its own way.
1. Jonathan Jones On Art; 2. New York Art Beat; 3. Arts and Letters Daily

The hegemonic structure that situates blogs on the internet is perplexing, as hierarchy is driven by authority in both design and content. This authority, however, appears to be relatively subjective as trends change with current events and the seasons, and people are more inclined to visit certain sites upon different days of the week. In this sense, I would argue that “site stats” are relatable to the stock market, as the fluctuations in statistics of interests within the Internet varies from day to day. One day the DOW or S&P 500 will be up, and the next it will have crashed 4-30 points. If I am correct, purchasing trends that stimulate the economy affect the price range of certain stocks and the value of currency; thus, visits to certain websites, due to particular trends/desires/curiosities/current events, will fluctuate depending on the stasis of the global or national economies. Each weighed against one another, the above blogs were placed in comparison as a means to discover a pattern in the chaos of the internet and to see, just exactly, why people appear to favor one blog over another and visit it on a repeated regiment.

1. Jonathan Jones: On Art

Jonathan Jones’ blog is a sister publication to the Guardian, a liberal publication, based out of the UK, that stands as a news source internationally. This blog parallels the New York Times website, as the blogs for each section (such as Jones’ Art blog, that of Charlotte Higgins, and their “Culture Cuts” blog) all appear beneath an upper header that is far from overwhelmingly large. The aesthetically placed “guardian.co.uk” in the upper left corner of the page redirects viewers to the reputably sourced homepage of the Guardian site, acting as both a linkable site for further web exploration as well as a backing source that adds validity to Jones’ own words concerning art. When this blog is opened, the eyes are immediately drawn to the title “Jonathan Jones On Art” which both commands the reader’s attention to his photo, as the pink, yet delicate, capitalized font juxtaposes Jones’ photo. In his profile, he comes off as confident, yet approachable, and one can’t help but wonder what his voice in writing is and thus is inclined to read the first article. Within the title, “On Art” commands authority (notice that these words are the darkest in all of the title, stressing that this is a professional blog with the focus ON ART) with in Jones himself, stating that Mr. Jones is knowledgeable about a lot of things, and here, on this page, he will discuss his opinion on art and only art. There exist minimal advertisement areas within the page, and the font is readable and friendly in party-coloring, not overbearing, frightening, or solely black; I would argue that the multi-colored shoe fits, here, as part is based on the presence and absence of color. In terms of content, Jones’ blog is not merely a synchronic approach to looking at art, but a diachronic approach as well. The history of art is looked at from an analysis that is structured upon art being defined as all-encompassing of the fine arts, from music, to literature, to architecture, to drawing, to painting; and each of these encompasses both historical accounts as well as those of more recent times. His most recent posts include recordings of George Orwell and Joan Miro on the Spanish Civil War, the following discusses kitsch and whether or not Damien Hirst’s work is tasteless or not, and scrolling further down, a rendition of William Blake is spotlighted for appearing in a UK gallery. In organizing his widgets/plug-ins, Jones (or his creative/visual director) effectively aligns his “Top Posts” area, calendar, and links to the Guardian’s main page along the right side of the page; this situation of secondary areas commands that one’s attention be drawn first to the meat of the page that embodies his writing. The page is simplistic and white, with splashes of ROYGBIV along the the header, tabs, and article dividers, giving it an artistic yet minimalist touch.

2. New York Art Beat

New York Art Beat reminded me so much of Denver’s Own Illiterate Gallery and their blog. Based out of New York City, this blog highlights everything that is occurring in the NY Art Scene, as well as opinions, ratings, and information on where to find what you’re looking for. The Blog has a series of tabs at the top that with the grey and white color scheme, make the page look more than official, as if one is filing through the archives of New York’s art recent art culture; from each tab, one can research events and their venues and times. Also prominent is Art Beat’s desire to network and publicize; a like for RSS feed, as well as twitter updates sparkle upon the page in purple or teal font that stand in a mimicry to the blog’s color scheme. “NYABlog’s writers and video reporters deliver regular reviews, features and interviews to stimulate discussion about all sides of New York’s creative scene…” reads along the right-hand column, describing the site’s mission and staff. Beneath this are links to reviews, photos, and information on writers. I would argue that this blog stands in great competition with fellow art blogs, especially that of Illiterate. Running a website in New York City is a job in itself, and running one with multiple writers that are covering art galleries and showings across the Five boroughs is quite a feat. The blog features both literature and photo reviews on recent shows, thus creating a valuable source for anyone who wishes to further explore the labyrinth of galleries in the city that never sleeps.

3. Arts and Letters Daily
Arts and Letters Daily is a blog that visually mimics Bookslut’s blog. With rose-pink coloration and a header-image of an archaic, or perhaps Roman, woman sitting in front of an oversized book, this site first reads as one that would encompass hundreds of years of literature, theory, opinion, and arts. Surrounding our diaphanous beauty, the words of “philosophy, language, aesthetics, trends, breakthroughs, ideas, criticism, culture, history, music, art, disputes, gossip”. What are you looking for that WOULDN’T be here? Sports maybe? Stocks? For some reason I feel that your reader who is searching about sports writing would immediately hit “the dreaded back button” upon first viewing this feminized site of pinks and reds, literature and gossip. In comparison to the previously reviewed sites of NYArtBeat and Jones On Art, this website reads as outdated (though most likely not started no earlier than 2005). It’s absolutely insane how fast internet features become outdated, but proves that the “Facebook Generation” is one that will be guaranteed jobs if they know how to maneuver HTML and SQL coding, as that, as well as undeafening creativity, is what appears to keep the internet medium running. Despite its below-average appearance, Arts and Letters Daily offers some great literature and hilarious material that hopefully does not get overlooked due to its dull format. The site is broken down into four vertical columns, and is almost devoid of advertisement, which to be honest, gives it brownie points in my book. Within the left-hand column, A&LDaily has listed its categories and means of subscription plain and simple in a 13-point list that includes a contact for advertising. I can’t help but wonder, if they’d made it so blatant that they are willing to accept advertising, why has no one accepted this offer? If I stumbled upon the site today, hundreds of viewers have to have done so as well, right? What is wrong with the site that nobody is interested in posting advertisements? Beneath the site’s page listings, a section entitled “Nota Bene” (such sweet and concise word choice) is placed second, and includes the most popular topics of the day. Today’s read as “#JamesFrancoFacts” (notice the hash-tag. these ladies know what’s going on in digital-communication world and popular culture world, good job!) and “The Real Ginsberg”, “Tyra Banks at Harvard”, “Prison Economics”, and more of the like. As you can see, the site offers a wide spectrum of topics that all tie back into the literary world. The columns that follow read as “Articles of Notes”, “New Books”, and “Essays and Opinion”, allowing readers a glimpse of what has recently been published. Despite the lacking visual aid, this site definitely has an appeal; one of which, I would argue, could be noted as a “kid sister” site to the established high-brow New Yorker. Each article is written with eloquent thoughtfulness, giving an “ahem” in its direction of personal authority that captivates and lures readers in by being damn good with words.

What I found most interesting within this study was the level of authenticity and authority that was portrayed within each site, as each had its own style. Within the former, I thought that Jonathan Jones and Arts and Letters Daily held the most authentic sites worth visiting. Though a reservoir of absolute depth into the city’s most exclusive galleries, NY Art Beat seemed less compelling than the other two blogs, as it, to me, reminded me of something that accompanies any cultural sector of America. Don’t get me wrong, the information provided was great- coherently and eloquently written with an obviously extensive amount of time invested into each article. Arts and Letters Daily, I would argue, had the most resilient and authentic approach to media, as the articles, though perhaps sourced from elsewhere, stand as a compilation that flow well together and appeal, in my opinion, to a female reader interested in a variety of things that range from high-brow Harvard Review topics to the happenings of James Franco. When looking at authoritative commands, I stand to argue, as stated above, that visual appeal plays a large role. Jonathan Jones’ blog undoubtedly commands the highest authority in the analysis, as it is a.) attached to the Guardian, b.) solely him writing, and c.) he is beyond knowledgeable about a wide variety of art styles, trends, media, eras, and genres. The authoritative commands of each of these blogs, though perhaps lacking, stand as a definitive difference as compared to the authority commanded in face-to-face conversations of reality. Dean quotes theorist Steven Johnson’s theory of authority within her book, stating, “The difference between lecture and dinner table enables the analogy with the circuit board and the assumption of homeostasis. Johnson connects primary inputs to official speakers and secondary inputs to an audience” (Dean 16). There exists no projection within the internet of the primary input upon the secondary input, as the secondaries cannot read tonality. There exist only a sea of millions of primary inputs. I would argue that within this mass of primary inputs, there exists a hierarchy that is based on authority and authenticity. One must prove why their blog is great, as it stands aside millions of others just like it. There stands a competition with the Self to forge oneself with the Projected Self of the Internet to create something brilliant.

Jodi Dean: “Blog Theory”

Ordinarily one would think that in users perusing the internet they are the subject viewing the object that appears on the screen, however I stand to argue that this is not true. Within creating a certain page, such as this one you are reading right now, bloggers or Internet artists are creating a means to lure you in with a certain appeal, thus, they are watching you in the way that you lead yourself through their websites. How do they know? It’s traceable on site statistic pages. As stated above, certain topics of discussion will cause a reader to re-visit the site. I would argue that part of being a blogger is figuring out a way to get viewers/readers to eat out of the palm of your hand. Because really, isn’t the intent within blogging to have readers connect with your thoughts and keep visiting your site out of pleasure of agreeing with what you have to say, or feeling that you are a reputable, or at least worth-while, source?

Within Dean’s text, she discusses Lacan and his theory of the functions of the gaze, as directed through cyberspace and Zizek’s communicative capitalism. “Generally speaking,” Dean quotes Lacan, “the relation between the gaze and what one wishes to see involves a lure. The subject is not presented as other than he is, and what one shows him is not what he wishes to see” (56). She furthers that the term “gaze” refers to an unsettling feeling of an excess disturving one’s sight, not to a specific thing that one imagines. I find Dean’s regard to objectivity more than applicable to the theory of Lacan, as, to most people, the Internet is a disorienting medium and perhaps we often see what isn’t really there and present something that we don’t always realize. “Our disclosures are surveilled, archived, remembered, in ways that exceed our ability to manage or control. On the other hand, this is the source of their immense attraction, what lures us in, what incites us to practices of revelation and display. [Then] the media that incite us to create and express, to offer our thoughts, feelings, and opinions…deliver us up to others for purposes of their own” (Dean 56). Is the internet a subconscious means of exploiting ourselves?  For example: I wrote a piece earlier on Fashion Week 2011 and my primary focus of the article was resiliency of Japanese design within the international sphere. Upon tracking site statistics, I noticed that my blog had been pegged as a top hit for those individuals searching “Jason Wu 2011″ or “Richard Chai” in the WordPress database– something that I did not intend to do. It’s fascinating the way in which words can be manipulated, especially words that weren’t your primary argument. Such writing really makes one stop and think to edit what they write, check sources, grammar, and photos, as others are relying on their original piece– a piece, that in my experience, was not intended for any certain person to read, merely something that I found interesting and had “blogged” about as a means to collect my thoughts.

Source: Jodi Dean’s Blog Theory. 2010.

Within Dean’s book, the quoted “Zizek” is theorist Slavoj Žižek (Slovenian, b.1949) is a Marxist, Hegelian, and Lacanian theorist who has thoroughly studied ‘the word’ and its relation to cyberspace.

2010 Catfish: A prime example of how one woman redirects the Lacanian Gaze.

Langston Hughes: The Weary Blues (1923)

The Weary Blues by Langston Hughes (1923)

Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
He did a lazy sway. . . .
He did a lazy sway. . . .
To the tune o’ those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
Sweet Blues!
Coming from a black man’s soul.
O Blues!
In a deep song voice with a melancholy tone
I heard that Negro sing, that old piano moan—
“Ain’t got nobody in all this world,
Ain’t got nobody but ma self.
I’s gwine to quit ma frownin’
And put ma troubles on the shelf.”

Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more—
“I got the Weary Blues
And I can’t be satisfied.
Got the Weary Blues
And can’t be satisfied—
I ain’t happy no mo’
And I wish that I had died.”
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that’s dead.

A Weekend of Film

“When fashion fans talk about street style these days, they’re likely to drop the names of Scott Schuman, Yvan Rodic aka The Facehunter or Garance Doré . But most of them forget about a true pioneer in this field, 80-year-old New York Times photographer Bill Cunningham, who now gets the credit he deserves in new documentary Bill Cunningham New York.”
- The Independent (UK)

Bill Cunningham is a jack of all trades that has finally settled into his passion of fashion photography with his name co-branded with the New York Times fashion pages. Dropping out of Harvard in 1949, Cunningham moved to NYC to make hats under the name of “William J.” He published a series of photos in the Times in December 1978 that was a milestone in newspaper. The above documentary is what one could call a tribute to the career and creativity that this photography pioneer has brought us from his amiable personality down to the meticulous nature of developing film (yes, he’s still old-fashioned and uses film). Check out more info on the film here: http://zeitgeistfilms.com/billcunninghamnewyork/playdates.html. Note: there is a screening at CU on 4/22 if any of you are interested!

A friend and I went to a few films at the Boulder International Film Festival this weekend and to be completely honest. . . I was beyond impressed. So great! The films chosen were absolutely fascinating, surrounding topics that I ordinarily wouldn’t go to see in theaters, yet, there was something romantic about seeing a film about clowns wielding machetes during the Spanish Civil War in the Boulder Theater. A paradigmatic shift in my perception of a local music hall has been born.

Two films listed below surround the act of spectacle within the circus and I would argue can (and should) be watched together, along with the 1929 Tom Browning film “Freaks”.  The first of the two videos is from the 2010 Alex de la Iglesia film “Balada Triste” (Sad Ballad), or in English, entitled “The Last Circus”. The film depicts a love triangle that stands as a trope for the strife between the Spanish and the rebels during the Spanish Civil War. On screen the film reads along the lines of what we Americans love to call an “epic” movie (something along the lines of 300, Troy…), however, much of the cinematography is actually enthralling, the makeup and costuming are wonderfully contrived, and the film moves quickly enough to keep your attention. After seeing this, I couldn’t help but return to a film that I saw last summer by Alejandro Jodorowsky entitled Santa Sangre (1989). The second of the two videos below is the trailer to this film that is hard to find in English subtitles let alone FIND in the US. If you can, watch it though, for the grotesqueries within it are mindboggling. I’m still trying to figure out if the two films could be shown side by side, as they both contain many similarities surrounding the act of spectacle within the circus and the psychological effects of the circus culture on children. Each film’s primary character is a product of a peculiar lifestyle that was not of their choosing but predestined by another selfish force. Though the Last Circus fails to directly address the carnivalesque aspect of the paradigmatic shift of subject-object relations, I would argue that within the insanity of the “sad-clown” character Javier, the shift from his position of subordination within the circus to that of control in his newfound position as a lunatic clown running about Spain with AK-47′s is an undeniable embodiment of the shift of objectification. Definitely check them out!

The trailer immediately below, of Into Eternity, is a documentary about the construction of Onkalo, the Finnish solution to discarding of nuclear waste. Onkalo is a a cave, 500 meters beneath the earth’s surface, that is to be the solution to the disposal of dangerous radioactive waste. The film is beyond captivating, as it is not necessarily about that waste itself, but moreso the communication structures of the future, and if (and how) we will be able to communicate with future generations. These future generations of topic, however, are 100,000 years away from us, today. The primary question of the people constructing Onkalo is whether or not individuals of the future will find this cave (as it is to be covered up and hidden entirely from the world) and whether or not to warn them of its existence, for fear of curiosity gettting the best of them, thus risking an occurrence of all of Finland being exposed to radioactivity without knowing, as such material has no warning through smell or sight. The film fascinated me most of all when one of the directors of Onkalo jokingly stated that each day the staff fears that they will stumble upon a copper cylindrical container while drilling, implying the question of whether or not lifestyles similar ours may have existed before the ice age. Is it all cyclical?

For more information, CNN has coverage here.

And who can forget about Thom Yorke? New album came out this past week.

Short Blog #4: The Literary Blog Analysis

After hours of searching for a discussion-worthy blog, I can’t say that I’ve hit the spot of my hunger. Today, of all days, is Valentine’s Day; everyone, even the finest literary mogul, is posting either the stinkiest of gruyere-filled  quotes or hate mail to Saint Valentine himself. Sifting through this selection, as well as a myriad of DIY baking or craft blogs, I’ve noticed that not too many blogs actually contain insightful material worth reading that is comprehensible and formally constructed; I made it through about five blogs that actually had an introduction that made me read past the first two sentences without feeling that the reader was either pretentiously condescending or  had no idea what they were talking about. Where are you non-hipster literary blog with current events, fine arts, and scholarly material? Are you out there? I can’t find you! …And  so on goes the typical narcissistic, parasitic, and pointless blogger rant, however, navigating the internet is frustrating.  In her book Blog Theory, Jodi Dean relays an account of a blogger who states, “hardly a day goes by without some intellectual or journalist or other member of the only-our opinion-counts brigade writing something about how awful, stupid, dumb, rude, or otherwise unacceptable blogs are. My unwanted advice to such writers is that if blogs are really as uncaptivating as you keep saying, and are as rapidly on their way to oblivion as you keep breathlessley announcing, then stop writing about them” (37). And they’re right… why are all of us blogging, in rants of the highest verbosity, about such things that we find pointless? Perhaps the blog is dead to those who were on the blogger bandwagon back in 2005,  however, the majority of the population is just now joining the brigade and are just now experiencing this cyber world of over 70 million internet blogs, and have no idea where to navigate because many of the url’s are dead.

All of this makes me realize how much I’ve taken the internet for granted, because really, blogging is so difficult to do when attempting to post consistently well-composed notes of perceptive insight. It’s just way too easy to post simply a series of photos that mesh with their colors, or recipes that the pallet finds delectable when paired with a glass of red from Rioja. However, these are helpful, inspirational, appropriate in the right circumstance, but not really helpful when looking to critique. Is the blog not a safe neighborhood for the lit major? Do we become lost in the wordless format?

To engage viewers that are tuning-in late on the story, news channels or websites keep their story headlines to the point and brief, in order to keep the blog ordered and express a point. Consistency and well-labeled headlines are so helpful to readers, as the HTML coding and layouts of typical blogs are absolutely confusing to a new-comer, especially if the site is creatively contrived. A “blog-worthy” blog should be up-to-date, posting consistently (I would argue at the very least once a week. . . maybe once a month if the content is actually that worth reading), and full of discourse that offers a dialectic between photos and prose. In searching for sites within this assignment I was continually frustrated to open an incredible website to find it only a tease, as the author stopped posting in June 2008 (yet really, was that not when the concept of the blog peaked and died out?) or didn’t have anything to say as to why they loved their chosen photos labeled “I love these shoes”– because really, I love those Rachel Comey shoes too, yet readers want to know why you do and what else you like. Maybe though, that is what blogging has come to; seeing that the blogosphere is oversaturated with opinion-based blogs, maybe people that are still posting, our non-fair-weather bloggers, see no point in wasting time writing literature because there’s a slim chance that someone will find it outside of StumbleUpon. So if you’re reading this, I owe you quite a thank you for spending your time here. Below are a couple of literary-based blogs that I found interesting in my quest for Blogalot’s next monarch; hopefully you find insight in them as well.

The site that I felt most inclined to discuss is a collective of fashion critics Eric Wilson, Stuart Emmrich, Cathy Horyn, and Ruth La Ferla. Their blog, as mentioned on the Zeitgeist Message Board, is called ‘On the Runway’ . Though not as literary-focused as many authorial blogs that surround the literary world, I would argue that this editorial blog is something entirely competent in that realm, as the information that is presented can be regarded as a current event and is written by literary scholars. Standing as part of the New York Times ‘Style’ section online, this blog is absolutely applaudable for its chic and simplistic appearance that has minimal distractions of cluttered advertisements or superfluous photos. Your attention is drawn, after the right-column advertisement, directly to the text headlines, as the text takes up at least 75% of the page. Through the use of exquisitely minimalistic visual aide, accurate web links, historical accounts of fashion productions in years passed, designer interviews, and a most professional (yet not condescending) discourse, the journalists of On The Runway have created a truly monolithic work that accurately chronicles Fashion Week for attendees and those who missed the show. With a journalistic staff comprised of both men and women, there exists no biases in published content towards menswear or womens wear, as both sexes of writers cover both sexes of  designers and their collections. The language is not elevated to levels incomprehensible to your average reader; the dialogue is sophisticated and engages in sartorial history both synchronically and diachronically; the authors draw threads between designers and seasonal trends, as well as social trends, internationally; and finally, the images offered within each article are straight from a fashion photographer on-staff and on-site at each of the fashion shows/events. Thus, all of the news being reported is entirely first-hand.

Another note-worthy blog is that of Mark Sarvas entitled The Elegant Variation. An interesting guy. Directly above the blog title, there are reviews of Sarvas’ prose, both good and bad. NPR is quoted stating, “really brave. . . or really stupid”, which to me really sums up this entire media outlet. Upon opening the site today, the first post’s headline reads (in all caps, mind you, HE IS SHOUTING THIS!) “Dale Peck is the worst critic of his generation.” Pesonally I do not know Dale Peck, however, if I were Dale Peck, I’d be highly offended, as a generation typically spans more than ten years making this quite an insult. So, as NPR states, this is a very brave move on Sarvas’ part, yet at the same time it could come back and bite him in the ass. I suppose looking at Chelsea Handler though, her brutal honesty has created quite a reputation. In terms of visual appeal, Sarvas’ blog is mildly weak. The title, “The Elegant Variation” is wildly creative, teeming with an authoritative, professional, and curious aesthetic; yet the background color comes off bland and doesn’t help the images, thus turning your mind to think that the writing had better be really good. His chosen colors, an olive green background with white typeface and mustardy/butternut-colored links is less than refreshing– when looking at it, it seems outdated, or appears the way a lilikoi does when being cut open after hours of rotting on the side of the road in the humidity of summertime. Though visually lacking and slightly offensive, Sarvas DOES cover a more literary topic than the NYTimes blog: book reviews, critiques, and sneek peaks. His blogroll, consisting of publishing houses and and presses is an abundant offering to visitors of the site, and his book reviews are honest and engaging and one can see why his blog has placed him atop Forbe’s Magazine’s top 10 blogs lists. Though literary, parts of his blog do digress to the happenings in his home and everyday life, something I believe that many bloggers ought to avoid, unless their blog surrounds what they do in their home or personal lives. Perhaps though, that comes with the territory of the blog, making the blog a window to their personality, as it is a forging of the Appoline and Dionysian, order and chaos, or the organic of classic literature and the word with the inorganic of cyberspace.

The Atlantic Monthly: Is Paris Still a Moveable Feast?


“What is more relevant to our times, though, is that the rich of today are also different from the rich of yesterday. Our light-speed, globally connected economy has led to the rise of a new super-elite that consists, to a notable degree, of first- and second-generation wealth. Its members are hardworking, highly educated, jet-setting meritocrats who feel they are the deserving winners of a tough, worldwide economic competition—and many of them, as a result, have an ambivalent attitude toward those of us who didn’t succeed so spectacularly. Perhaps most noteworthy, they are becoming a transglobal community of peers who have more in common with one another than with their countrymen back home. Whether they maintain primary residences in New York or Hong Kong, Moscow or Mumbai, today’s super-rich are increasingly a nation unto themselves.” -Christina Freeland

Business journalist Christina Freeland examines a most fascinating subject within the current Atlantic Monthly in her article entitled “The Rise of the New Global Elite”: the moguls of today and the individuals of tomorrow’s written history. All of these people are men and women that you and I probably have never heard of. Today, as we reside in the banks of the economic crash’s denouement, the bliss of life is rising from the dust of a depression; a stark mirror image of the Hemingway-esque beauty of youth pre-1929 is remembered fondly, however, we can’t help but wonder how we and our fellow American citizens will survive in the current era of technology and cyberspace communities of the Internet, as many can neither afford nor understand HTML coding. This elitist class, that any and everyone reads of and subconsciously wonders, “who? what? why? where? and HOW DO I JOIN THEM?” has tapped in to the cybersphere of the Internet’s plane of omnipresence and is effectively greeting, meeting, and colaborating with other cybergeniuses 6,000 miles away from them. The brilliance of these individuals doesn’t reside in finding the cure to AIDS, poverty, or political strife, but in the appropriation of self-marketing themselves in a way that is useful and conscious of looking to the future. So we ask ourselves one last question: “am I an idiot? . . . ’cause blogging doesn’t seem to be that trivial after all.” Freeland acknowledges this rapid rise in digital communities stating, “. . .thanks to globalization and technological innovation, people, money, and ideas travel more freely today than ever before.” And really, she’s right.

I believe it was Gertrude Stein who said that no man or woman is ahead of their time, they’re merely of their time. If you think about this statement, and the modernist that Stein was, are WE simply behind the time and failing to keep up with our wave in the technological race? In just starting Twitter and eReader accounts, are we fifty years behind those creating buildings in Dubai?

If you have time, read the article below! More than intriguing.

http://www.theatlantic.com/magazine/archive/2011/01/the-rise-of-the-new-global-elite/8343/